Site icon The Wickeds

Making a Writing Retreat: Part II

From Edith, starting to walk around again (after getting a new knee) north of Boston.

Here’s Part II of my poll on writing retreats, with answers to my questions from authors Tiger Wiseman, Ramona DeFelice Long, Liz Milliron, and Holly Robinson – their bios are at the end of the post. Check out Part I for the purpose and feeling of a retreat, although of course there is overlap.

What are your top five tips for what to bring?

T:

Tiger Wiseman
R: 

L:

Liz Milliron

H:

  • Flannel Pajamas & slippers: my favorite writing uniform
  • Running clothes: I find that solitary runs with music are the best way to wake up my brain
  • Bath bubbles: Yes, a bath works wonders to ease the kinks in your body after writing for hours
  • Quick reads: when I’m intensely writing, I like a good mystery or thriller for escape
  • Chocolate & wine: yeah, I know those are two things, but they go together!

E:  I’m seeing a theme of snacks and comfort, there! And what I bring is no different.

  • Comfy clothes and walking shoes (yes, and slippers).
  • My smaller laptop, favorite pen, and paper notebook.
  • Super easy meals. I don’t want to waste time cooking unless I’m with others.
  • Wine and chocolate, of course.
  • Chargers!
How long does it take you to get into the groove? What’s the optimal number of days to be away?
T: I can get into my writing groove immediately. Optimal retreat is 4 to 7 days.  Anything shorter and you don’t get enough written to feel successful; longer and you start to fret about things not getting done at home. . .and the dog.

R: I lose the bulk of the first day and the last day for coming and going, so the optimum

Ramona DeFelice Long

short side is 5 days, because that leaves you at least three full days to write. I have been away for two weeks and four weeks, and the first is too short and the last is too long. For long term I’d say the sweet spot is three weeks.

L: I get into the groove pretty quickly – an hour, tops.l think this is because my limited writing time during the week has conditioned me to hit the ground running. I love weekend retreats. A day isn’t quite enough and I think I’d go a little bonkers after a week, but a weekend (Friday afternoon through Sunday morning) is perfect for me.
H: I get into the groove pretty quickly, after setting up my stuff, unpacking, and taking a walk to clear my mind. Optimally, I love going for 3-5 days: intense 10-hour writing days.
E: It takes me a few hours, usually. I have to get the space set up to my liking, poke around the kitchen, breathe some oxygen outside, and depending on long my drive was, take a walk – but even that is kickstarting my writing.
If you’ve hosted a retreat, any comments about the experience? Selecting whom to invite?
T: I’ve hosted several retreats in Vermont. I find that 3 to 5 writers (including host) is a good number since we share cooking duties.  I often let one person invite whoever they want, their friends.  I don’t think the choice of people is as important as making sure everyone understands and follows the rules: quiet times, chore division. Anyone can get along for 5 days, as long as they’re accomplishing what they came to do. Down time is very important.  If you’re alone, you may push too hard; with others, you stop for dinner and–at my retreats–wine and conversation or games. Makes for a well-rounded, relaxing retreat.
Sign as one leaves the Virginia Center for the Creative Arts

R: I have hosted. Once I rented the retreat house and invited a few people I thought might be available. Another time, I specifically invited people who’d been to a past retreat, as a reunion. A schedule that allows for private work all day and a dinner followed by group readings, brainstorming, discussion, or just chilling with wine is my favorite program. If there are workshops or any programming, those should be in the morning so the afternoon can be devoted to a long period of writing.

L: if you are putting together a weekend and inviting people (as opposed to something like doing it as a chapter of an organization), look for people who are flexible. People who like being in groups and are willing to pitch in – not sit around and live off other people’s work. Nothing brings a group down faster than a constant complainer. And if your event is going to be open to a chapter and you know there’s a complainer, resolve that the person is not going to ruin the weekend for you.
E: Morning workshops wouldn’t work for me. I need my morning creative time alone, and would rather hang with the group late afternoon and evening. Re-entry can be rough, too.

H: I do have mini-retreats at my Prince Edward Island house. I only take friends who write

Holly Robinson

as intensely as I do—that’s just three people to choose from—my favorite friend to take is one who knows when not to talk! Which is pretty much all day, unless we’re on an afternoon walk, or after the wine comes out after dinner and we share what we’ve been working on.

E: Holly, I’m that kind of writer! Take me along next time, please?
My guests:
Readers:  Ask our retreatants questions – they’ll pop in and check throughout the day if they can. And be sure to check out their writing if you haven’t already. They are a talented bunch!
Exit mobile version