Julie here, hoping this blizzard was the last for New England.
Last year I had the thrill of having Just Killing Time nominated for the Agatha award for Best First Novel. My fellow nominees and I became good friends during the run up to Malice Domestic, and did a small blog tour. Sherry did the same thing the year she was nominated. We’re thrilled to give a wicked welcome to this year’s nominees.
Today they are going to answer the question who would play the main characters in the movie or TV show made from your novel?
Alexia Gordon, author of Murder in G Major (Henery Press)
Gosh, that’s a difficult question. Truthfully, I don’t know. I could see Thandie Newton or Zoe Saldana as Gethsemane. Maybe Richard Harrington (from the Welsh TV series Hinterland) as Eamon. A member of a book club that discussed Murder in G Major suggested Kerry Washington as Gethsemane.
When I watch movies and TV shows I forget (on purpose) who’s “starring” in the role and focus on the character being portrayed. For instance, Hugh Jackman isn’t Hugh Jackman playing Wolverine, he is Wolverine. Hugh Jackman ceases to exist for 120 minutes. Consequently, I’m pretty good with characters’ names but I’m pretty bad with actors’ names. Not what any actor wants to hear but I mean it as a compliment. It takes talent to convince a rational adult that you’re someone who doesn’t really exist.
I have this fantasy of WGBH Boston or BBC America turning my books into a series and holding an open casting call. Hundreds (oh, why not, thousands) of unknowns would line up to audition and the casting directors–the people who cast Midsomer Murders or Agatha Christie’s Hercule Poirot (David Suchet was brilliant as Poirot)–would discover the new “it” actors.
Renee Patrick (Rosemarie and Vince Keenan), author of Design for Dying (Forge)
This is a tricky one. Can we name the 1930s actors who could play our characters instead, because that’s when Design for Dying is set? No? Very well.
Let’s start with Lillian Frost, the toughest casting call for one reason: the role has to be played by an actress good enough to make us believe she’s terrible. It’s Lillian’s lack of skill in front of the camera, after all, that chases her out of pictures. She’s also got to be resourceful, kind, and look stellar in period wardrobe. On second thought, it’s not so tough, especially if you’ve seen Brooklyn. The Oscar-nominated star of that wonderful film Saoirse Ronan would be perfect as a young woman making a new home for herself in a strange and distant place. We know from Captain America that Chris Evans can sport vintage attire, and he’s got the low-key charm of Detective Gene Morrow down pat.
We considered plenty of names to play Lillian’s partner in sleuthing, legendary costume designer Edith Head, and settled on the wild card: pop provocateur Lady Gaga. No, really. It’s not only the resemblance. Gaga has blazed her own trail in show business, developing a distinctive persona and ensuring that everyone knows her name. Just like Edith did decades earlier.
Oh, and the 1930’s version? Priscilla Lane, Dennis O’Keefe, and Mary Astor.
Nadine Nettmann, author of Decanting a Murder (Midnight Ink)
Although a fun question, it’s always a tough one. One of the main characters in Decanting a Murder is Detective Dean, who I describe as tall with slicked back blond hair. While I didn’t have a specific actor in mind for this role when I wrote it, I watched some recent work of Mark-Paul Gosselaar and I think he would be great as Dean. I’m also a fan of Jason Lewis, from Sex and The City, as he has the stoic look that Dean carries, as well as Ryan Kwanten from True Blood. Though, I wouldn’t mind a brand new actor to play the part. It’s always great to see new talent.
As for the main protagonist, Katie Stillwell, I purposefully don’t describe her in the book as I want the reader to identify with her and perhaps put themselves in her shoes. So I’ll hold back on any potential actresses and let readers decide who they would like cast in that role.
Cynthia Kuhn, author of The Semester of Our Discontent (Henery Press)
All of the following not only “look” the part but have something else that makes them seem like strong contenders. (The age of the actor may not align perfectly with the age of the character in these choices, but that’s where the magic of the movies comes in, right?) And now, without further ado: for Lila, someone like Sandra Bullock or Jennifer Connelly, who have played strong characters who sometimes fumble (with amusing results) in certain situations; Reese Witherspoon or Kristen Bell for Calista, either of whom could capture the poet’s quirkiness; Paul Rudd has the right blend of earnestness and laid-back vibe for Nate; Michael Ealy seems like a perfect match for the confident and determined Francisco; and Armie Hammer has the charming, smooth qualities of Tad.
Marla Cooper, author of Terror in Taffeta (Minotaur)
I’ve gone back and forth about who I would cast as Kelsey McKenna, but right now Cristin Milioti from How I Met Your Mother and Fargo is my top pick. (I’m sure she’d be thrilled to know that she’s even being considered for the part—ha!) Her deadpan delivery and comic timing won my heart as the Mother in How I Met Your Mother, and I really, really want her to have a role where she doesn’t have a terminal disease.
As for the supporting roles, there’s only one that I can picture perfectly, and that’s Mrs. Abernathy. Now, I’d probably get outvoted because she’s slightly more “mature” than the role calls for, but Susan Sullivan (AKA Castle’s spitfire of a mom) would be the perfect choice to play the Mother of the Bride in Terror in Taffeta. I had so much fun writing the demanding Mrs. Abernathy, and I can perfectly picture Susan Sullivan delivering lines like, “Put your shoes on, girls. This is a wedding, not a hoedown!”
BIOS
Marla Cooper is the author of Terror in Taffeta, an Agatha and Lefty nominee for Best First Mystery and book one in the Kelsey McKenna Destination Wedding Mysteries. Her second book, Dying on the Vine, is set in the California wine country and comes out April 4. As a freelance writer, Marla has written all sorts of things, from advertising copy to travel guidebooks to the occasional haiku, and it was while ghostwriting a guide to destination weddings that she found inspiration for her series. Originally hailing from Texas, Marla lives in Oakland, California, with her husband and her polydactyl tuxedo cat. Learn more at www.marla-cooper.com.
Alexia Gordon has been a writer since childhood. She continued writing through college but put literary endeavors on hold to finish medical school and Family Medicine residency training. Medical career established, she returned to writing fiction. She completed SMU’s Writer’s Path program in Dallas, Texas. Henery Press published her first novel, Murder in G Major, book one of the Gethsemane Brown mysteries, in September 2016. Book two, Death in D Minor, premiers July 2017. A member of Sisters in Crime, Mystery Writers of America, International Thriller Writers, and the Writers’ League of Texas, she listens to classical music, drinks whiskey, and blogs at www.missdemeanors.com. AlexiaGordon.net
Cynthia Kuhn writes the Lila Maclean Academic Mystery series, which includes The Semester of Our Discontent and The Art of Vanishing. She teaches English at MSU Denver and serves as president of Sisters in Crime-Colorado. For more information, please visit cynthiakuhn.net.
Nadine Nettmann, a Certified Sommelier through the Court of Master Sommeliers, is always on the lookout for great wines and the stories behind them. She has visited wine regions around the world, from France to Chile to South Africa, but chose Napa Valley as the setting for her debut novel, Decanting a Murder. The next book in the Sommelier Mystery Series, Uncorking a Lie, releases in May 2017. Chapters are paired with wine recommendations. NadineNettmann.com
Renee Patrick is the pseudonym of married authors Rosemarie and Vince Keenan. Rosemarie is a research administrator and a poet. Vince is a screenwriter and a journalist. Both native New Yorkers, they currently live in Seattle, Washington.