NEWS FLASH: Melinda is the randomly selected winner! Please send your snail mail address to me at edith at edithmaxwell.com. Congratulations!
Edith here, delighted that Turning the Tide came out from Midnight Ink yesterday!
This is my third Quaker Midwife mystery, and my fourteenth published novel, in which Rose Carroll, midwife, becomes involved in murder once again. I’m so grateful for my editors at Midnight Ink for believing in my stories and making them better: Amy Glaser, Terri Bischoff, and Nicole Nugent. And to talented cover artist Greg Newbold for rocking cover number three.
In celebration, I’m most pleased to give away a signed copy of the book to one commenter here today.
The story has a background theme, as every book in the series does. In book time the season was rolling around to the fall, so I decided to explore issues of women’s suffrage in 1888. The Amesbury Woman Suffrage Association (fictional as far as I know, but it could have existed) turns out in force across from the polling place on Election Day to protest not having the vote. Here’s one of the placards I found online, and it’s my favorite. In a book featuring a midwife, you can see why I love this sign.
I read that proponents of women’s suffrage wore sunflower yellow sashes, to represent hope. Quaker women were in the forefront of the movement for decades, both before and after this book takes place. Rose’s mother is an ardent suffragist, and in Turning the Tide she comes to town to support the protest.
I love slipping bits of my own family history into the books. Rose’s mother Dorothy Henderson Carroll is named after my paternal grandmother, Dorothy Henderson Maxwell. We called her Momma Dot, and Rose’s nieces and nephews call the fictional Dorothy Granny Dot. My grandmother was the first woman to drive an automobile halfway across the United States in 1918, and I imagine she didn’t hesitate to vote the following year.
I decided to bring Elizabeth Cady Stanton to Amesbury, too. Historically I don’t know if she did, but she might have, and writing fiction gives me permission to portray her rallying the women, with her white curls and comfortable, corset-free figure.
Stanton was a real intellectual. In the book I took the liberty of paraphrasing a few sentences from her essay, “The Solitude of Self,” which was not published until 1892, for her to speak in person in this book (at Rose’s friends’ salon gathering). I couched it as Stanton developing her thoughts on the topic, and I trust her departed soul will approve.
So, dear readers, who is your favorite suffragist? Any family stories about your feminist foremothers, or the first time you yourself voted?